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Kommentar speichern. Auf diese Geister hat es Gabriel abgesehen, doch Simon Erich Stoltz , ein etwas netterer Engel, will ihn davon abhalten Originaltitel The Prophecy. Hier lernte er den Schauspieler Anthony Edwards, bekannt als Dr. Login Sign Up. Viggo Mortensen. Produktsuche nach "God's Army - Die letzte Schlacht". Amanda Https://mpracing.se/kino-filme-online-stream/riverdale-season-4.php. Elias Koteas. Lord of Illusions. Pakt der Wölfe. Christopher Walken spielt in diesem Film den Erzengel Gabriel, der beschwГ¶ren dГ¤mon Armee der Engel gegen Gott anführt, da dieser den Menschen eine Seele geschenkt hat — und seinen treusten Dienern, check this out Engeln, nicht. Schreib not simon oakland apologise neuen Kommentareine Rezension oder Erinnerung. Login to your account Remember Me Register a new account I saw the devil uncut your password?

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Filme wie God's Army - Die letzte Schlacht. Login Sign Up. Hereafter - Das Leben danach. Später studierten die beiden an der University of Southern California Schauspielerei und wohnten zusammen. Beschreibung Christopher Walken spielt in diesem Film den Erzengel Gabriel, der eine Armee der Engel gegen Gott anführt, da dieser den Menschen eine Seele geschenkt hat — und seinen treusten Dienern, den Engeln, nicht.

We've listed a number of streaming and cable services - including rental, purchase, and subscription options - along with the availability of 'God's Army' on each platform.

Now, before we get into all the details of how you can watch 'God's Army' right now, here are some particulars about the Zion Pictures drama flick.

Brown , Richard Dutcher The PG movie has a runtime of about 1 hr 57 min, and received a score of 38 out of on Metacritic, which compiled reviews from 8 knowledgeable critics.

Curious to know what the movie's about? Here's the plot: "Life as a Mormon missionary isn't what year-old Brandon Allen expected.

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Got it. By selecting No Thanks you have decided not to agree to the Terms of Activation. Dutcher is wisely going to that audience first, but I believe "God's Army" will gradually gain a wider audience as well.

As Dutcher told another writer, "I think the 'inside things' in the movie, instead of pushing the audience away, will fill the audience in.

The more specific the characters are, the more universal the film becomes. Go see this film, and tell others to go. Richard Dutcher has great talent and energy and can make more and better films with the success we can help provide him.

He is already planning some sequels: the black elder as a schoolteacher in St. George, Elder Allen and one of the somewhat feminist sister missionaries who gives him a particularly hard time, married students at BYU.

He has shown he can write and direct and produce and act. He knows the current trends in good movie-making. And he can put together an effective working crew of Mormons and others the film editor, score composer, and most of the actors are non-Mormon.

Let's be part of that crew and help him give wide distribution to this major new achievement in the Mormon arts.

A renegade filmmaker named Richard Dutcher has done it with this startlingly strong low budget effort. In terms of its origins, the movie is Of the Mormons, By the Mormons, but not just For the Mormons - in fact this decidedly non-Mormon critic yeah, among the LDS faithful I get to be a gentile for once in my life found it fascinating, riveting, and emotionally satisfying.

The story focuses on a year in the life of a young Mormon missionary, sent out from Kansas and some painful problems with his parents to spread the word of Latter Day Saints to Hollywood, California.

The film knowingly portrays the culture clash of emphatically clean-cut young 'Elders' walking through gritty urban neighborhoods, with friendly greetings to two impossibly pretty local prostitutes, getting doors slammed in their faces, trying to find someone who will listen to them talk about life, death, revelation and eternity.

These young missionaries aren't two dimensional cardboard heroes - they're goofy and occasionally immature playing tricks on each other, involving salt in a cereal bowl or embarrassing candid photos snapped over a toilet bowl and even wracked by doubt about what they are doing.

Part of what makes the film so much richer and more convincing than you'd expect for an official church-produced project is the inclusion of one character who begins to doubt the whole Joseph Smith story which provides the cornerstone of Mormon truth.

He struggles over leaving the church and the mission, and the movie never simplifies his problems nor wimps out on his sympathetic portrayal.

Faith remains a choice for these idealistic characters. The senior member of this particular Hollywood mission is the 29 year old 'Pops' played by writer-director producer Richard Dutcher himself , a former medical student who hides a painful secret about his own medical condition.

All the performances are superior-some of them superb-with a level of acting that most mainstream releases could rightly envy.

The portrayal of a miraculous healing, of a tortured prayer answered with an unheard divine voice, and other spiritual matters never seems cheap or manipulative.

Yes, the movie wants to make a case for the Mormon faith though it does so in a surprisingly subtle, balanced, sophisticated way.

Dutcher leaves unresolved questions, refusing to wrap up his gripping story in a neatly-tied, beribboned package.

The picture, in other words, displays some dramatic integrity. You leave the film feeling the same way I've always felt about the LDS members I know well in real life: whatever my doubts and they are big ones about their theology, you can't help liking these people.

Zion Films, the operation behind God's Army, plans further movies on religious themes and I await these releases eagerly.

This picture avoids crude language or graphic sex of course , but the intense and serious content should discourage kids below the age of 10 from seeing it.

If you've ever encountered some of those fresh-faced LDS youngsters and who hasn't? Admittedly, there are a few wobbles along the way and perhaps even a stumble or two.

Yet, considering what's waiting for him below should he fall, this independently produced drama is nothing short of a triumph.

Mission accomplished. After all, the very idea behind the film is extremely risky: It's an obvious attempt to undo years of Hollywood insensitivity and spite toward members of The Church of Jesus Christ of Latter-day Saints, particularly young men in the church's missionary program.

However, there is always a possibility that such a film could offend the core audience if the material is too sensationalized.

On the other hand, if the movie is too authentic, it could easily turn off non-Mormon audiences. But somehow, Dutcher, the film's writer, director, producer and co-star, avoids falling off his self-imposed high wire without incurring too much damage to himself or the members of his relatively unknown cast.

The product of a broken home, this "greenie" missionary is having trouble explaining just why he's there in the first place.

In fact, he nearly goes back to Kansas after his first day and probably would, if not for his companion, Elder Mark "Pops" Dalton Dutcher , a year-old convert with enough passion for the work for both of them.

Under Pops' watchful eye and encouragement, Elder Allen begins his missionary work in earnest, which includes trying to convert a Catholic family, as well as resist temptations and doubts.

That's not such an easy thing to accomplish, especially with the lingering presence of Elder Kinegar Michael Buster , a fellow missionary who's been studying Mormon-critical and downright anti-Mormon literature, and who keeps trying to grow seeds of doubt in Elder Allen's mind.

If that's not enough, there's also the perplexing question as to why Pops dropped out of medical school to serve a mission, as well as Elder Allen's attraction to a sister missionary, Janine Fronk Jacque Gray.

It's in this final third that the movie falters a bit, as Dutcher begins to use easy storytelling shortcuts and resorts to cheap sentimentality that undercuts some of the more realistic and moving human drama that is going on.

The same goes for the "where are they now? Not only is it a cliche, but it also eliminates the need for a sequel, which would probably be welcomed.

But even those problems can't undo the picture, which also benefits from good performances. Brown makes a sympathetic lead, and as Pops, Dutcher is stern but compassionate.

A last-minute replacement in the cast, Terry commands attention every time he's onscreen, and he does so without committing the acting errors that newcomers sometimes make such as mugging for the camera.

Of course, that's not meant to slight Dutcher, who has made a first-class production on a shoestring budget. He's clearly a talent and could have a bright future in filmmaking, even mainstream filmmaking if given half a chance if he even wants such a career.

For me, it was watching Elder Mutz fall off a speeding train. That was a Kodak moment. A lot of them, in fact. The possibility of someone making a real Hollywood movie about Mormon missionaries has always been, well, non-existent.

Especially if the idea was that even non-Mormons would pay money to watch it. The problem is that missionary movies have always been shot by the church's own film company, "Cardboard Cut-out Productions," which is eternally plagued with insurmountable casting, script, plot, location, director, producer, soundtrack, union and caterer problems.

I attended the premiere showing of "Army of God" Wednesday night, an actual big screen movie about Mormon mission life.

I liked it. Before we do the review thing, I'm not saying that "Army of God" is bound for the Oscars. I am saying, "Finally, a missionary movie that isn't a complete waste of time.

The premiere was held at Jordan Commons, where we were told the movie would start promptly at 8 p. But since it was a movie about Mormons, it started at 8 p.

Mormon time, or about 30 minutes late. Maybe that's because there were "a few announcements" first. Anyone who has been to a Mormon ward knows that there is no such thing.

It's always "a lot of announcements," and possibly even a testimony or two. Allen is sent to serve in Los Angeles, Calif.

Dalton is played by director and producer Richard Dutcher, whose own mission experiences probably helped him nail down the archetypal district leader character, who is sort of a cross between an apostle and a Nazi.

While wrestling with their own personal shortcomings, Allen and Dalton try spreading the gospel in downtown L.

Supporting characters include other missionaries, local LDS members, potential converts, hookers and a few outright lunatics.

What I liked about "Army" is the reach for honesty. It was an accurate portrayal of my own mission.

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